Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
The Madonna and the Nino enthroned, with the holy Catalina and Barbara

ID: 41976

unknow artist The Madonna and the Nino enthroned, with the holy Catalina and Barbara
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unknow artist The Madonna and the Nino enthroned, with the holy Catalina and Barbara


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unknow artist

  Related Paintings of unknow artist :. | European city landscape, street landsacpe, construction, frontstore, building and architecture. 216 | Classical hunting fox, Equestrian and Beautiful Horses, 245. | Portrait of Sylvie de la Rue | Benedikt Adam Freiherr von Liebert, Edler von Liebenhofen | Portrait of Maria Feodorovna (1759-1828), Tsarina of Russia |
Related Artists:
KEIRINCKX, Alexander
Flemish painter (b. 1600, Antwerpen, d. 1652, Amsterdam). Flemish painter. He was the son of Matthijs Keirinckx and Anna Masson. In 1619 he became a master in Antwerp's Guild of St Luke, he married Clara Matthausen on 18 June 1622, and in 1624 he took on Artus Verhoeven as an apprentice. From 1636 onwards he is regularly recorded in Amsterdam, where he was registered as a citizen in the year of his death. He visited Great Britain, possibly in 1625 (Walpole mentions two signed and dated drawings of London views from this year) and definitely in 1640-41, when he undertook commissions from King Charles I to paint views of royal castles and palaces.
Arthur Mathews
an American Tonalist painter who was one of the founders of the American Arts and Crafts movement 1860-1945
LA TOUR, Maurice Quentin de
French Rococo Era Painter, 1704-1788 French pastellist. He was one of the greatest pastellists of the 18th century, an equal of Jean-Simeon Chardin and Jean-Baptiste Perronneau. Unlike them, however, he painted no works in oils. Reacting against the stately portraits of preceding generations and against the mythological portraits of many of his contemporaries, La Tour returned to a more realistic and sober style of work. The fundamental quality of his art lies in his ability to suggest the temperament and psychology of his subjects by means of their facial expression, and thereby to translate their fugitive emotions on to paper: 'I penetrate into the depths of my subjects without their knowing it, and capture them whole', as he himself put it. His considerable success led to commissions from the royal family, the court, the rich bourgeoisie and from literary, artistic and theatrical circles.






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